It was eventually removed nonetheless. New York Times reviewer Manohla Dargis said: The film's form and purpose now emerge from the miasma of the original cut, and are quietly, sadly, effective. But I love Vincent. A war of words then erupted between Gallo and film critic Roger Ebert , with Ebert writing that The Brown Bunny was the worst film in the history of Cannes, and Gallo retorting by calling Ebert a "fat pig with the physique of a slave trader. Neva Chonin of the San Francisco Chronicle called it "a somber poem of a film sure to frustrate those who prefer resolution to ambiguity
I'll probably have to go to therapy at some point. And in the process he transformed it. But give the woman credit. The site's consensus states "More dull than hypnotic, The Brown Bunny is a pretentious and self-indulgent bore. But I love Vincent. He also conceded to finding Ebert's colonoscopy comment to be an amusing comeback. She says her lines with feeling and puts her iconoclasm right out there where everyone can see it; she may be nuts, but she's also unforgettable. It's an art film. When you see the film, it makes more sense. In response, Ebert quipped that watching a video of his colonoscopy had been more entertaining than watching The Brown Bunny. A war of words then erupted between Gallo and film critic Roger Ebert , with Ebert writing that The Brown Bunny was the worst film in the history of Cannes, and Gallo retorting by calling Ebert a "fat pig with the physique of a slave trader. I'm sad that people think one way of the movie, but what can you do? Despite the negative backlash toward Sevigny's involvement in the film, some critics praised her decision. New York Times reviewer Manohla Dargis said: The image showed Gallo standing with Sevigny on her knees, but did not show any explicit sexual content. The new version was regarded more highly by some, even Ebert, who gave the new cut three stars out of a possible four. It was eventually removed nonetheless. There are a lot of emotions. William Morris now feels that her career is tainted and may never recover, especially after rumors began circulating about the even more graphic outtakes that didn't make it into the actual film. It is said that editing is the soul of the cinema; in the case of The Brown Bunny, it is its salvation. I'm more self-aware now and wouldn't be able to be as free, so why even do it? In a column published about the same time, Ebert reported that he and Gallo had made peace. Actresses have been asked and even bullied into performing similar acts for filmmakers since the movies began, usually behind closed doors. Neva Chonin of the San Francisco Chronicle called it "a somber poem of a film sure to frustrate those who prefer resolution to ambiguity Sevigny isn't hiding behind anyone's desk.
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