It's a really interesting way of taking feminism in a direction I love — lighter but still very involved. You don't have to look a certain way. But I know exactly how heartbreaking [feeling marginalised] can be. Not enough is written about friendship. You've talked about feeling quite marginalised as a teenager. Because we base most of our day-to-day chitchat on little lies; we pretend things are better than they are.
You don't have to look a certain way. So if we manage to [explore] that just a little bit — and not just a storyline about a serial killer — I'll be really happy. It does make her more real. Was it a relief to be more of a tomboy? You made your Broadway debut in Cyrano de Bergerac as Roxane. I realised how inconsistent it was — and how it didn't have anything to do with who I was. Elise is very closed but pure like a kid who tells the truth all the time. I think as a woman you have a responsibility to say: We're not the same age, we're from different backgrounds, but I had his back and he had my back, which was a really happy thing. It was tough because [at my school] I wasn't one of the cool girls. Not enough is written about friendship. I'm so glad my mum and my great-mum have fought those battles for me but I have to keep on doing it for the daughter I may have. I share a sense of humour with all my closest friends, otherwise there's something missing. You don't have to be someone's girlfriend or wife or daughter. Was that hard to play? I'm actually rehearsing a new one-woman play in Paris, directed by my father [Etienne Guichard], about a young girl in the Resistance. Elise turns into a pillar for Karl, the strong person he can hold on to. But I've always tried not to let cynicism take over. She's as direct in her sex life. But I know exactly how heartbreaking [feeling marginalised] can be. My mum has always said it's what makes life bearable. You've talked about feeling quite marginalised as a teenager. I do define myself very clearly on the left — but I don't know if there's a party I would completely give myself to. I think groups can be terrifying sometimes. I've just done it in Paris with Camille Racine and my friend Sylvia who runs the Shakespeare and Company bookshop there. I find what's happening in the film and TV industry right now really fascinating. And you can see so much tenderness in his eyes for this strange little animal.
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