They exit the apartment, and Bertolucci again gives us a narrow shot of the door, closing this time, as the occupants of the apartment come out into the open. Ewan McGregor admitted to asking the director for "10 seconds" to collect himself before doing another take while simulating sex in films that have included Velvet Goldmine, Trainspotting, and Young Adam. On the other hand, sometimes the actors can't stand each other, yet it turns into fireworks onscreen; Jennifer Grey and Patrick Swayze in Dirty Dancing and Debra Winger and Richard Gere in An Officer and a Gentleman are just two reported examples. As the piles of trash mount outside, they mount inside as well. And perhaps this is the way it really did end. You might actually find them attractive, and they may be married offscreen--they may have a boyfriend or a girlfriend, there may be something else going on--and you have this really difficult moment of, 'Oh, that's not real. There was no revolution! So, boiling it down, between 15 and 20 people are going to see you at your most vulnerable. If you can't, then it's just going to fall flat and be lousy.
If it's a real intimate scene, it can be you, a camera operator, a boom operator, and then the director and [his or her] crew are off near the monitors. In their refusal to grow, to move on into the uncertain future, and remove the screen that shields them from a world unfiltered through the compact and gorgeous eloquence of processed images, Bertolucci has left for us a vision of alienation as great and profound as any he has ever mustered. Total nudity should never be required at union auditions, although the performer can wear pasties and a G-string. Interviews University of Mississippi Press: For one thing, just as the protagonists are fetishistically attached to cinematic images, Isabelle and Theo are no less unwholesomely attached to one another, and this very attachment is yet another attachment to an image. She will be with Theo forever, and she follows him towards the makeshift barricade. That's just an idea. Alienated cinephiles finding their cloistered delight in the darkened cinemas demand the stark realism of their own solitary predicaments from the great directors; starry-eyed idealism is for the Hollywood star factories. The set must always be closed to all persons having no business purpose in connection with the SAG production. This is forbidden to them. If anyone wants to see it, go ahead. It is no surprise, then, that when Matthew feels close to one of the twins, he feels close to both. The crowd chants as one: Inside, Matthew and the twins create a more manageable microcosm. This is the closest the Dreamers will ever come to the sex-as-death-wish fantasy that Bertolucci gave us in Last Tango in Paris. That there are parallels in the figuration of the revolution outside and the journey of sexual discovery in the apartment raises the question of the precise relationship between these two worlds. But he is left alone, and he returns home, bounding through the halls of the hotel where he is staying, feverish with newfound passion, bursting with sexual energy. The crew is too busy eating a sandwich or something. Before being cast on the series, he was best known for hosting E! All France seems like a mirror that reflects more violent developments beyond its borders. Theo and Isabelle are immediately absorbed into the mass. They're like magicians," he says. It is tempting to think, therefore, that even had her parents not arrived to see them there, Isabelle would have had no choice but to turn on the gas in the morning. It is a marvelously ambiguous ending, one that demands to be interpreted. And Isabelle immediately loses her ability to feel pleasure with Matthew. The good news is that actors can usually spend at least an hour discussing comfort levels with each other before the lighting has been set up and hair and makeup happens. It's just the character, but, yeah, there are a bit of uncomfortable moments, especially when Mom sees the film.
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