Jamaican origins of outdoor sound systems AM radio at many stations were limited by the 'broadcast Day' as special licenses were required to transmit at night. This genre was called "disco rap". Most early hip hop was dominated by groups where collaboration between the members was integral to the show. This spoken style was influenced by the African American style of "capping", a performance where men tried to outdo each other in originality of their language and tried to gain the favor of the listeners. Discuss August Origins Hip hop as music and culture formed during the s in New York City from the multicultural exchange between African-American youth from the United States and young immigrants and children of immigrants from countries in the Caribbean. Herc's experiments with making music with record players became what we now know as breaking or " scratching ". This influence was brought on by cultural shifts particularly because of the heightened immigration of Jamaicans to New York City and the American-born Jamaican youth who were coming of age during the s.
This spoken style was influenced by the African American style of "capping", a performance where men tried to outdo each other in originality of their language and tried to gain the favor of the listeners. Jockey jack is the infamous Jack the Rapper of Family Affair fame, after his radio convention that was a must attend for every rap artist in the 80's and 90's  These jive talking rappers of the 50's black appeal radio format were the source and inspiration of Soul singer James Brown , and musical 'comedy' acts such as Rudy Ray Moore, Pigmeat Markham and Blowfly that are often considered "godfathers" of hip hop music. Pictured is Chic at a concert. Prior to , recorded hip hop music consisted mainly of PA system soundboard recordings of live party shows and early hip hop mixtapes by DJs. Early popular radio disc jockeys of the Black appeal radio period broke into broadcast announcing by using these techniques under the jive talk of the post WWII swing era in the late 40's and the 50's. Jamaican origins of outdoor sound systems AM radio at many stations were limited by the 'broadcast Day' as special licenses were required to transmit at night. MC Kid Lucky mentions that "people used to break-dance against each other instead of fighting". It was there he perfected the dozens, signifyin' and the personality jock jive patter that would become his schtick when he became the first black radio announcer on the air south of the Mason—Dixon line. As a result, the hip hop genre, barely known outside of the Bronx at the time, grew at an astounding rate from onward. J's emulated the southern 'mushmouth' and jive talk, letting their audience think they too were African-American, playing the blues and Be-Bop. The style was documented for release to a worldwide audience for the first time in documentaries and movies such as Style Wars , Wild Style , and Beat Street. The njuup the progenitor of mbalax and tassu progenitor of rap music both originated from the Serer people of Senegambia. It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the locals patois. Recordings of talk-over, which is a different style from the dancehall's DJ style, were also made by Jamaican artists such as Prince Buster and Lee "Scratch" Perry Judge Dread as early as , somehow rooted in the 'talking blues' tradition. As well, hip hop from the late s used disco tracks as beats. Due to the positive reception, DJs began isolating the percussive breaks of popular songs. At the same time, hip hop music was also a backlash against certain subgenres of late s disco. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Billboard Hot —the song itself is usually considered new wave and fuses heavy pop music elements, but there is an extended rap by Harry near the end. Although other influences, most notably musical sequencer Grandmaster Flowers of Brooklyn and Grandwizard Theodore of the Bronx contributed to the birth of hip hop in New York, and although it was downplayed in most US books about hip hop, the main root of this sound system culture was Jamaican. By the late s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc. While the early disco was African-American and Italian-American -created underground music developed by DJs and producers for the dance club subculture, by the late s, disco airwaves were dominated by mainstream, expensively recorded music industry -produced disco songs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation , a loose confederation of street-dance crews, graffiti artists, and rap musicians. As well, the art of Jamaican toasting , a style of talking or chanting into a microphone, often in a boastful style, while beats play over a sound system , was an important influence on the development of hip hop music. The MC spoke between the DJ's songs, urging everyone to get up and dance. However, the majority of the genre has been accompanied by rap vocals, such as the Sci-fi influenced electro hip hop group Warp 9. They were also finding other D.
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