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She has always looked like the prettiest girl you saw hanging out at the mall in a recent interview she talked about how excited she was that her image was appearing on a ski board, like a girl whose boyfriend has painted her name across the back of his Trans Am. A position as CEO of her own company. In an industry that increasingly relies on pushing the envelope, she has always refused double penetration and gang-bangs, and has kept anal sex for her private life. For her, playing the victim is offensively easy. The professional in Jameson seems ashamed by the diva behaviour she indulged in following her success, though it's tough to read her account of that time and not feel that, for the money they make off her, the producers deserved a little bitchiness in their lives. It'll be her first and last movie, and she'll regret it - to her dying day. Periodic lapses into drugs and booze. She lays out what happens to too many of the girls who arrive at the industry's regular cattle-call auditions: In this book, Jameson gets you rooting for her. Jameson calls the most famous adult photographer, Suze Randall, whom she insists she likes, "a shark. We all know they're just buying it to jerk off to the pictures, right? She knows how easy it is for the gullible to be taken advantage of but insists that aspiring pornettes have to learn to protect themselves. A generally unsupervised upbringing, leaving her and her brother free to get into drugs and other serious mischief. But Jameson doesn't talk about porn as if it were the white-slave trade, either. Written with New York Times contributor Neil Strauss, the book is a captivating mess - with autobiography; celebrity dish; tips on making it in porn; transcribed conversations between Jenna, her brother and her father; pages from her teen diary, photo albums with everything from childhood snaps to skin shots to wedding pictures; comics; a '10 commandments of dating' along with a list of the ones her husband has broken , all tossed together. The outline of Jenna Jameson's life so far she's only 30 sounds like the typical run-up to a too-fast, too-soon outcome. The assumption behind that question is that work is ennobling instead of, for most people, a drudgery they endure to feed and clothe and house themselves and their families. She's managed to become a big star with only minimal appearances in the mainstream media some hosting for the E! That Jameson is alive to tell this story would, in best E! But though sex workers have often been looked down on in the name of middle-class propriety, it's interesting to think about what they share with the middle class. That may be a tad easy for her to say. Here, one does, and that's as much a tribute to Strauss' ability to merge with his subject as it is to the strength of Jameson's personality. Moving from town to town. What could seem a better way to flout middle-class values than going into stripping or nude modelling or adult movies even though, for some of the people who go into them, they are the quickest route to middle-class stability? Jenna Jameson has done more than any other performer to increase the acceptability of a part of our culture that, like it or not, isn't going away.
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