We remind each other that we are not alone in this struggle. He's a dick in the graveyard: Tap here to turn on desktop notifications to get the news sent straight to you. He's a god who can take care of himself, just as he takes care of us living and us dead. If one of his symbols is the cross, then the other is the phallus. In Abrahamic religions, the creator must have his anti-force. Thus Nzambi Mpungu, high god of Kongo, was easily syncretized with Christ crucified as master of life and death the universal dialectic of eros vs thanatos. But if we look back on history we might be able to see where this horrific reality came from. When he reveals himself through spirit possession, the Baron dons the top hat and morning coat of an undertaker think of Geoff Holder in Live and Let Die , but waitisn't that a tent in his stripped trousers?
We are sending them back into their houses and we are making them rethink their actions. He's a dick in the graveyard: And to add a post-modern touch: By Don Cosentino It's been a hell of a season for the gods of death. A version of his name zombie was eventually ascribed to the walking dead, reflecting the complicated cycle of death and rebirth which define most African eschatologies and illustrate the enormity of their unacknowledged influence on Euro-American thought and culture. Hell no, Baron Samedi would be hitting the dance floor himself. Old gods make space for new ones, but they do not disappear. How does this keep happening? God must have the Devil, and the Devil must be destroyed. But if we look back on history we might be able to see where this horrific reality came from. I have spent much of my life working in the Black Atlantic world, in West Africa where pantheons of pre-colonial gods persist under the veneer of Christianity and Islam; and in Haiti, where the national religion of Vodou aka Voodoo incorporates Catholic saints, Chinese sages and NBA stars with creative abandon. Death and Sensuality, Bataille argues that erotics are primarily a religious matter, which, seen from the confines of every day life, may both be understood as something monstrous. Sex and Religion seek transcendence in death, the "little death" of orgasm, or the grand sacrifice of martyrs to a divinity who must be placated with bloody victims. But sometimes I wonder, how much change can we provoke just with our voices? If was the year we elected a grabber-in-chief, consider the year of male consequence. Baron Samedi does the tango with thanatos and eros, dipping the scales decidedly in favor of the latter. When he reveals himself through spirit possession, the Baron dons the top hat and morning coat of an undertaker think of Geoff Holder in Live and Let Die , but waitisn't that a tent in his stripped trousers? When Okonkwo, his hot headed protagonist, suggests burning down an abusive Christian missionary church, a village sage responds, "we are not in the habit to fighting our gods battles for them. The secret is out, and none of us are going to go back to silence. A powerful one that I am not afraid to use. Thus Nzambi Mpungu, high god of Kongo, was easily syncretized with Christ crucified as master of life and death the universal dialectic of eros vs thanatos. And sure, its great that these creeps are being exposed. What are we doing to protect our girls and ourselves from this terror? But they should NOT be sexually assaulting one another or using it as an excuse! The wounds of the last are still open and bleeding, the terrorist's narrative being at once so bizarre and so familiar.
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