Meant to be born male to avenge an insult in her past life as Amba she is reborn female, raised male, has a sex change on her wedding night when she runs away to the forest thanks to a Yaksha , and finally fulfills her destiny - to be the cause of Bhishma's death. The most intriguing vignette might be Akhtar's, which contains minimal dialogue amidst the ambient sounds of a classically urban, middle-class apartment in India. Characters struggle to explain motivation for their actions in a notoriously prude culture that hasn't equipped them with the tools to do so. They are exceedingly simple stories: Lust Stories flies by in a blur of character and emotion, but the stories are out there, and the conversations will continue. Lust Stories is now streaming on Netflix.
A brave story to be staged it questions the traditional roles of gender, identity and sexuality by blending Indian storytelling with contemporary English verses. Love is Bollywood's be-all-end-all, the strongest force in the universe whose life-or-death stakes can usually be consummated by a tight hug in an open field. The Story of the In-Betweens ' is a tongue-in-cheek retelling of the story of Shikhandi, who is one of the first examples of a transgender characters in Indian mythology. The match highlights the disparity in station, education, and means between the sexual partners, and casts a harsh light on their concerning power dynamic. Shikhandi played a crucial part in Mahabharta during the winning of the Pandavas at the battle of Kurukshetra. Lust Stories is now streaming on Netflix. Cinephiles may know Satyajit Ray's Apu trilogy , which offers a glimpse of the type of gritty auteurship that doesn't pay the Bollywood bills, but speaks to some truly fine artistry. Meant to be born male to avenge an insult in her past life as Amba she is reborn female, raised male, has a sex change on her wedding night when she runs away to the forest thanks to a Yaksha , and finally fulfills her destiny - to be the cause of Bhishma's death. Read more Entertainment news in English and other languages. But Indian cinema has always been more than that, just as Italian film extends beyond neorealism or and the French New Wave is just one piece of a rich history. But as the title suggests, the through line of these stories is not love, but sex. The play is a brave story to be staged as it questions the traditional roles of gender and sexual identities TNN Jul 10, , Lust Stories flies by in a blur of character and emotion, but the stories are out there, and the conversations will continue. Why is it, as Radhika Apte's character asks in the Kashyap short, that a romantic partner is supposed to be everything to someone? The female-led romantic comedy Veere Di Wedding. The play is a comic, tongue-in-cheek, retelling of the story of Shikhandi, mixing traditional Indian storytelling and contemporary English verse, and questioning gender, sexuality, maleness, femaleness and everything in between. Perhaps the most timely takeaway is that poor sex education and socialization are worldwide problems. Ultimately, it was a valiant effort if a bit of a thin one , and its frank depiction of desire and the surrounding discourse is something India's short films and "artistic" media have done for decades. Indian short films remain a source of this ingenuity and excellence, and Netflix's Lust Stories is a fresh new installment. The most intriguing vignette might be Akhtar's, which contains minimal dialogue amidst the ambient sounds of a classically urban, middle-class apartment in India. They are exceedingly simple stories: Similarly, the middle-aged heroine of Banerjee's short is comfortable juggling her marriage and her two-year affair. Characters struggle to explain motivation for their actions in a notoriously prude culture that hasn't equipped them with the tools to do so. Not that it matters, but Lust Stories and Veere Di Wedding both include a masturbation scene, and the former takes the cake with director Johar spectacularly trolling himself. The older generation is uniformly depicted as oblivious and conservative; sex is neither seen nor heard of, and any reference to it is shameful.
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